El Petróleo al por mayor de China que no Pinta Mínimo
Thomas Cole
The Departure
Pintura identificación:: 58401
The Departure (1837)
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high quality:16x20 (40x51cm)
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museum quality:16x20
(40x51cm) = $99
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(51x61cm) = $119
museum quality:24x36
(61x91cm) = $159
museum quality:30x40
(76x102cm) = $199
museum quality:36x48
(91x122cm) = $269
museum quality:48x72(122x182cm)=$469
1882
Medium Oil on canvas
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James Joseph Jacques Tissot
James Jacques Joseph Tissot (15 October 1836 - 8 August 1902) was a French painter, who spent much of his career in Britain.
Tissot was born in Nantes, France. In about 1856, he began study at the École des Beaux-Arts in Paris under Hippolyte Flandrin and Lamothe, and became friendly with Edgar Degas and James Abbott McNeill Whistler. Tissot exhibited in the Paris Salon for the first time in 1859, two portraits of women and three scenes in medieval dress from Faust. The latter show the influence of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom he had met in Antwerp in 1859. In the mid-1860s, however, Tissot began to concentrate on depicting women, often although not always shown in modern dress. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored japonisme, including Japanese objects and costumes in his pictures. A portrait of Tissot by Degas from these years (Metropolitan Museum of Art, New York) shows him with a Japanese screen hanging on the wall.
The Departure 1882
Medium Oil on canvas
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Related Paintings to James Joseph Jacques Tissot :. | Portrait d'un couple | The Resurrection | Saint Catherine5 | Head of Flora | Hyazinthenteppich |
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China de Xiamen el Petróleo al por mayor que Pinta la Barra de Soga Marco al por mayor que Moldea el Espejo Pinturas Estiradas Encuadradas